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That novel won the Pulitzer Prize in 2006. March’s years as a chaplain for the Union Army. Her novel March is narrated primarily by the father in Little Women, and tells the story of Mr. Brooks is a skilled journalist and an acclaimed novelist, and Horse is not her first foray into historical fiction set in part during the American Civil War. This is a self-conscious-and bold-inclusion for a novel with not one but two young Black male protagonists written by a 66-year-old white Australian woman. The original hypothesis of his dissertation is that the Africans in British portraits were rendered less as people than as objects: “His argument mirrored Frederick Douglass’s caustic essay, arguing that no true portraits of Africans by White artists existed that White artists couldn’t see past their own ingrained stereotypes of Blackness.”

For one, Theo is skeptical of white artists taking on Black subjects. Theo might be chagrined to find himself a protagonist in Horse, Geraldine Brooks’s latest work of historical fiction, which braids his story with the narrative of Jarret, an enslaved groom of the horse in the 19th-century painting Theo finds. When the lady across the street, from whom he got the horse painting, flinches as he approaches to help her, he feels “the usual gust of anger” and takes a deep breath, saying to himself: “Just a White woman, White-womaning.”Ĭheck out more from this issue and find your next story to read. He jogs with his dog for exercise, careful to wear his Georgetown shirt because “his favorite run took him through lily-white Northwest Washington and Daniel, his best friend at Yale, had instructed him that a Black man, running, should dress defensively.” Because he’s from the U.K., he may not understand all the nuances of American racism, but he understands enough. The working title for his dissertation is Sambo, Othello, and Uncle Tom: Caricature, Exoticization, Subalternization, 1700–1900. He left the sport for academia because of relentless racist harassment, and now studies stereotypes of Africans in British painting.

He is 26 years old, a Black Londoner (his mother is Yoruba, his father Californian) and a former star polo player. I t’s 2019 in Washington, D.C., and Theo is changing his art-history dissertation after finding a painting of a horse in his neighbor’s giveaway pile.